Fashion heritage language that the Syrians and the privacy of their nature as well as it is an expression of social status
And show the skill of their makers and the elevation of taste in the selection of colors and decorations associated largely popular beliefs.
It returns many parts of the traditional clothes of the Syrian rural women to the masterpieces of ancient kings fashion designs
Who lived in Damascus, Palmyra and Apamea and Ebla and Ugarit a few solid change does not accept the modification order
Of the wearer to maintain the historical authenticity.
Each is a private area with uniforms in Damascus varied heritage of women’s clothing, where the woman was
Wearing a head dress called Bakhnaq is a small burqa head covering and veil, which covers the
Head covers the head, neck, chest and part of the veil that puts women on her face when they leave
From home featuring some transparency in addition to the black solvency long black abaya that link to the bottom of the heel and toe.
And women in Damascus keen to wear ornaments to complete the beautiful picture for them
These ornaments Limp a cap silver tassels hanging them from the silver teetering on the forehead
The necklace Jardan cardan or a collar put women in her neck author of several gold chains
Trailing Mkhmsat gold bracelets and a gold or silver and gold coins from Rashadiya and Hamedia
And Aziziyah, English, anklets and throat golden or silver band that wraps the waist and others.
Fashion popular women’s Syrian and is an integral part of our culture, it Bakmacha and customized decoration
Give a picture of this culture despite a drop in circulation in the present era and replaced with modern outfits
It comes from the global fashion houses.
Syrian heritage shaped throughout history panel exquisite mosaic maintained its Syrian identity but there are many aspects remained unknown for many,
From here on the occasion of the head of the Syrian Year «Akito« was held yesterday evening lyrical musical heritage of the ancient Syrian «Cyriana and Assyrian and Armenian and Kurdish« in Dar al-Assad for Culture and Arts, where he was presenting a musical and lyrical pieces of all Syrian regions.
He knew the commander of the band maestro Nazih Assaad for this evening and said: We aim through this concert to collect musical case the one in Syria was the music and songs provided different dialects but similar of implications and in the same spirit, where we tried to Enkerb tracks from each other so that everyone understands the heritage of the other area was there specific area Kalpzk machinery and accordionist and that the merger was the biggest goal for us, and continues focused on songs, the most popular and knowledge of the people were topics show all the beauty and love and brotherhood, which we are used to in Syria, and that all sects be Kensaj one, so we have tried through this evening to convey to the world that the Syrian spectrum Calcjadh colored thread that wove variety formed the identity of our society throughout history, we also want through what we did that we focus on the need to deploy and re-revive the old Syrian heritage of our music even turn out to be global.
As Suheir Saleh provided student representation fourth year and oriental singer link lyrical about coastal heritage and described by saying I share here to submit a glimpse of part of the heritage of Syria, there are a lot of people do not know how much heritage and civilization in our country, has been asked of us through this evening that each person to submit a piece lyricism of his area, as there were participants persons of Qamishli and Deir ez-Zor and Aleppo, who braved a lot of circumstances to provide a glimpse supervisor for the heritage of his region, and these events Taatcol for all that we are able to work and presentation in all circumstances and survive life is a message in itself .
As Hovik Kofu feet of Qamishli lyrical pieces of heritage »Syriac and Armenian and Assyrian« participated representative from his district of the island.